Nature Goddesses of the World
An ongoing series exploring how different cultures and landscapes personify nature through female mythological figures. The works combine mythology, natural forms and geometric structures to examine the relationship between humans, nature and perception.
Frau Holle – Nature Goddess of Germany
Frau Holle draws on the mythological figure as a starting point for an imagined world of roots, plants, animals and geometric structures. Rather than illustrating a traditional narrative, the painting explores cycles of nature, transformation and the connection between human and landscape.
Rhea – Nature Goddess of Crete
Rhea takes the Cretan mythological figure as a starting point for a personal visual world combining organic forms, flowers, insects, eyes and optical structures. The painting explores nature, growth and transformation through a dialogue between mythology, landscape and imagination.
Zwischenräume – Patterns of Perception
Zwischenräume – Patterns of Perception explores the transition between geometric order and subjective perception. Repetition, grids, circles and optical structures create visual spaces that appear to expand, shift or move. As the series develops, these structures increasingly merge with figurative elements and imagined spaces.
Checkerboard Tunnel
Repetition and perspective transform a flat geometric pattern into the illusion of depth and movement.
Cubes of Perception
Geometric repetition constructs an imagined space in which colour, pattern and perspective challenge the distinction between surface and depth.
Blüte im Fokus
Multiple optical systems overlap within a symmetrical structure, creating a dense visual space between order, movement and perceptual instability. It reflects the contemplative perception of nature
Between Spaces
Here, geometric structures become part of a personal inner world. Figure, architecture, symbols and optical patterns coexist within an imagined space, connecting perception with my figurative visual language.
Site-Specific & Urban Works
These works extend my visual language beyond the canvas into architectural and urban spaces. Existing walls, structures and objects become part of the composition, allowing geometric forms, colour and patterns to respond directly to their surroundings. I am interested in how painting can transform an existing space or object and create a new relationship between artwork, architecture and environment.
Painted Environment
Painting expands beyond the canvas onto existing objects, connecting two-dimensional compositions with the surrounding architectural space.
Site-Specific Mural
Geometric forms, patterns and perspective transform the existing wall into a large-scale composition shaped by its architectural surroundings.
Urban Intervention
Existing architectural structures become part of the composition. Colour and geometric forms reorganise the surface and create a new visual relationship with the urban environment.
Psychedelic Mural
An earlier mural exploring optical movement, repetition and the transformation of an existing urban surface through painting.
Painted Objects
My visual language extends beyond the canvas into three-dimensional and everyday objects. Geometric patterns, colour and optical structures are transferred onto sculptures, skateboards and wearable surfaces. By applying the same visual systems across different materials and forms, I explore how painting can move from a two-dimensional image into physical space and everyday life.
Geometric Sculpture
Geometric forms and recurring patterns move from the painted surface into three-dimensional space, transforming painting into a sculptural object.
Psychedelic Vans
An optical pattern developed from my painting practice is transferred onto footwear, turning an everyday object into a wearable visual surface.
Psychedelic skateboard
Architecture, checkerboard patterns and optical structures transform the skateboard into a painted object between functional surface and artwork.
Painted Skateboard
Geometric symbols, colour fields and repeated lines reorganise the familiar shape of the skateboard into an independent visual composition.
Architecture & Skate Culture
This project explores the relationship between architecture, painting and skateboard culture. Inspired by skateparks and urban spaces, architectural elements such as ramps, stairs, pathways and geometric structures are transformed into imagined landscapes.
The paintings combine these forms with colour, perspective and surreal elements, creating spaces that exist somewhere between architecture and abstraction. By transferring the same visual language onto a skateboard, the project connects the painted image with an object that is itself closely linked to movement, architecture and urban space.
Fluid Architecture
Geometric architecture is interrupted by a flowing organic form. Stairs, entrances and curved structures create an imagined space in which rigid construction and fluid movement begin to merge.
Imagined Skate Architecture
Ramps, stairs and pathways form an imagined architectural landscape inspired by skateparks and urban spaces. The composition explores how architecture can direct movement through space while transforming functional structures into a surreal environment.
Perception & Architecture
Architectural elements are combined with surreal symbols and distorted perspective. The ear introduces the idea of sensory perception, while stairs, arches and the checkerboard ground create a space between imagined architecture and skateable terrain.
Skateboard as Architecture
The skateboard transfers elements from the paintings onto an object directly connected to movement and urban space. Stairs, perspective grids, architectural forms and optical patterns transform the board into a continuation of the imagined environments depicted in the paintings.